James Reeb & All Souls Church
Fifty-two years ago today, the Ides of March, 1965 I was living in Jakarta, Indonesia. Once a week via Pan Am the mail was flown in and...
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THE MAKING OF WOMEN'S HISTORY “Bread, Land, Peace!” and “A Day Without Women”
March 8th we celebrate International Women's Day. It has become a global symbol of women calling for equal rights in many corners of our...
Lessons for the United States of America Today
53rd Anniversary of Assassination of John F. Kennedy THE BATTLE OF CHILE Part One: The Rise of Bourgeoisie (96m) & Part Two: The Coup...
BEES AND FOOD : NO NEONICOTINOIDS
News has now filtered out that the large petrochemical and pharmacy companies Syngenta and Bayer have known since early field trials that...
Seeing Is Believing: Women Direct by Cady McClain
Still frame of animation created by Xaviera Lopez for SEEING IS BELIEVING: Women Direct The 3+ minute pitch starts with crisp, whimsical...
HON, a first feminist art encounter
HON – en katehdral (1966) (above) in Stockholm's Moderna Museet was my first real and up close encounter with feminist iconography and...
Art & Politics: Exhibition in Tucson
PUSH COMES TO SHOVE Now open through January 8, 2017 Scottsdale Museum of Contemporary Ary Opening Reception : Friday, October 14 ...
HEADSHOTS : Aesthetics & Meaning
As we all watch tonight's historic debate and listen to the words of the two candidates we should also pay attention to how each...
A Devine Film: BONE WIND FIRE
A gorgeous film, BONE WIND FIRE, was placed in my Facebook news this past week by Sophie Mayer (author, Political Animals). Director,...
47 years ago
STARTING WOMEN MAKE MOVIES It was September. The year, 1969. Sheila Paige was transferring sound from her Miss America protest shoot. I...
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stirrings in feminist film, cultural aesthetics, media rights, funding, policy & action
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